Maria Andreoli and EmmaLee Kidwell

"To Be A Butterfly"

When did you first discover theater/what was your first experience?

MARIA: I first discovered theatre after a voice lesson when my teacher, Lisa Franklin, asked if I wanted to audition for a musical called Really Rosie. I was incredibly shy, but I auditioned anyway and completely fell in love with it.

EMMALEE: I grew up listening to cast albums in the car with my mom, and then she brought me to see the national tour of Cats when I was four or five. I was absolutely obsessed with Grizabella. It's one of my earliest memories - watching her ascend, singing "Memory." I've been chasing that feeling ever since.

When/how did you become a writer? Is there a writer, show, or text that particularly inspired you?

MARIA: I always wrote songs as a kid to process my emotions, but my journey as a musical theatre writer truly began at Pace University. While studying Musical Theatre there, I took a writing class with Eric Price and Will Reynolds and fell in love with the craft. That class is actually where my writing partner, EmmaLee, and I first started collaborating on The Waiting. In terms of inspiration, I have always been deeply moved by artists like Sara Bareilles, Anaïs Mitchell, and Joni Mitchell.

EMMALEE: I moved to New York City when I was seventeen to pursue a BFA in Musical Theatre from Pace University, but I had a vocal injury between high school and college. When I showed up for the first day of class, I couldn't phonate through half my register. I spent my first years of college both rehabilitating my voice and trying to figure out other ways to express myself creatively. When I took a musical theatre writing class with Eric Price and Will Reynolds as an elective, I met Maria and started writing. I've never looked back.

How do you describe your style/work?

MARIA: I write stories that are heartfelt and rooted in rich world-building, and my music is inspired by the folk genre.

EMMALEE: I'm drawn to pieces that are larger than life, and a lot of Maria and I's work pertains to world-building pieces and magical realism. I gravitate toward lyrics that feel like poems, and let the audience bring their own interpretation to the text while still advancing the arc of the character.

What is most rewarding to you about writing music?

MARIA: Getting to hear it played out loud by a full band! There is truly no better feeling.

EMMALEE: I love bringing people together. While I love the writing process, the best part of making musicals is the part where we get to go into a rehearsal room and meet people and see their interpretation of the material. Theatre is the greatest group project of all time.